English Learning in Italy: models for C21 learners.

 IMG_1300Welcome to Italy: a world of contradictions

Italy is a world of contradictions, sparkling aquamarine seas and dazzling snowy summits, barren areas of parched wasteland and green forests. Areas of natural beauty haphazzardly crossed by shaky looking electrical cables. It is the land that has produced Dante Aleghieri, Macchiavelli, Silvio Berlusconi, a whole series of creative industries such as the fashion world and of course the Mafia. This is a culture that is often portrayed in the media as an old civilisation with ancient, traditional values, where complex families live proudly in crumbling, but at the same time exquisite, palazzi. In the Twilight saga, to name just one popular contemporary film, the Italian family, the Valturi, is ancient and noble but it definitely stands for the old values and resists innovation or change. Venice is another popular image where beauty and decadence go hand in hand with a city whose inhabitants cannot afford to live there, and which is gradually sinking into the lagoon.

file0001662874096The Italian Education System

Language education in this world, then, is also fraught with contradictions: where the central figure in many school classrooms is still the teacher, whose role is in essence to provide knowledge and learning for the learners and to test them. This teacher has probably been told to teach communicative English but is also expected to develop an awareness of and appreciation of literature. There is widespread belief among teachers of the supremacy of a grammar centred approach when teaching a language no matter what communicative tenets they may pay lip service to. The language used to teach in in monolingual classrooms tends to be Italian, and group or pair work is relatively unknown, possibly because of a what is perceived as being the limitation of work in groups in large classes, or also the unwillingness of the teacher to abandon centre stage. In universities the trend continues with teacher fronted lecture theatres and some written exams but much more oral exams, which is the standard method of testing. Much of what students learn can be considered rote learning and oral examinations do not really give students much time to demonstrate much critical thinking even if it has been developed in class, or by learners’ independent reading. It is also contradictory in that learners are often left to their own devices to deal with huge amounts of material that they will then be tested on, but at the same time little time is spent in preparing those learners to work autonomously, so that they cannot really be considered to be independent learners either.

The Living DeadBecoming Mature

In Italy education is almost classical in tradition basing much of its content on vast ministerial programmes that are not imposed as such, since we have what is known as “La Libertà dell’insegnamento” (Freedom to teach) meaning teachers can choose how they want to teach. Constraints appear, however, puctually in the form of exams and one of the most important exams here is the school leaving exam known as the “Maturità”, the idea being that students who pass these exams are then “mature” although you might not think so when you see some university students in my classes 🙂
In these exams, which have been taking place this week, external examiners may use ministerial programmes as a general syllabus to consult when deciding which questions to ask. This, of course, drives generations of teachers into a state of panic as they wonder if they have “covered” enough in class, and it drives generations of students into the reassuring arms of social media with sites springing up right left and centre to “help” them find their way. Students are mostly expected to memorize vast amounts of information rather than developing critical thinking in a way that is reminiscent of Medieval Church led education where texts were memorized to glorify God, but nobody was expected to interpret or question those texts.

“For the Middle Ages knowledge was an authoritative body of revealed truth. It was not for the scholar to observe nature and to test, question, and discover truth for himself but to interpret and expound accepted doctrines. Thus the medieval scholar might debate about how many angels could stand on the head of a pin, but he did not question the existence of angels.” Robert Guiseppi The history of Education, http://history-world.org/history_of_education.htm

The education system in Italy is, like many other sectors, beset by troubles, lack of funding, government reforms and constant burocratic requirements and the traditions, I mentioned at the beginning, which may or may not be fruitful or productive. Memory work, for instance, is essential if you want to learn a language, but it should be done in a meaningful way and not simply rote learning. Tests are also useful, in fact, we are constantly testing ourselves to see if we can remember where we put the car keys etc. This is a part of life, but if these elements become automated or are done out of a sense of paying lip service to guidelines that teachers do not really believe in, then the routines and rituals in schools and universities make it difficult for meaningful teaching and learning to take place, and the institution paradoxically gets in the way of the learning process. Difficult, but not impossible and here and there you can stumble across inspirational teaching. I was under the impression that my university language centre classroom was one of those places, but recently I have been questioning quite a few of my assumptions and beliefs.

Confusion
Am I just feeling stressed?

Questioning my Assumptions

In Italian state schools,universities and private language schools most of the teaching is done by means of course books, and unless learners are preparing for specific exams like Toefl, for instance, the model tends to be British English, so much so that native speaker teachers whose L1 is a different variety of English, American, Australian etc. have been known to accommodate to the language rules they find in these coursebooks.

I spend a lot of time with advanced learners supplying them with strategies to help them become independent such as dictionary skills, ways of working on the internet, learning strategies and the like, but I always assume, somewhere, deep inside, that these advanced learners, whether they are university language students or adults who have reached a high level and want to maintain it, aim to master Standard English, but today I am increasingly asking myself whether that is true in our world, and what exactly Standard English is.

 

What do learners need?

The fact that there are different world Englishes is nothing new, and it makes sense, if you are studying in the USA, for instance to study the American model. If you are, in fact, living in a context where English is the L1 then your motivation is probably integrational in that you are aiming to be accepted by the community and, therefore, you are probably aiming to approach native speaker competence as far as is possible. In our world, however, where communication is increasingly transnational and more and more online communities are appearing which are also virtual, not limited by geographical boundaries in any way those using English to communicate for politics, business, academic and cultural purposes such as to study or attend international conferences or simply to listen to music, watch films or even read newspapers, will be using English in a different way. The motivation here is often instrumental, in that these individuals are using the language as a means to an end. Motivation is a complex thing, tied into our very vision of who we are, and our motivation may change as time goes by as well, but if what you want is to be able to use the language to communicate with others whose L1 is different to yours, then the language itself is a code used to weave meaning into the rich tapestry of plurilingual communication by means of English.

Photo credit: Buffleetab on Photobucket @ http://media.photobucket.com/user/buffleetab/media/words.jpg.html?filters[term]=words&filters[primary]=images&filters[secondary]=videos&sort=1&o=0
Photo credit: Buffleetab on Photobucket @ http://media.photobucket.com/user/buffleetab/media/words.jpg.html?filters%5Bterm%5D=words&filters%5Bprimary%5D=images&filters%5Bsecondary%5D=videos&sort=1&o=0
This takes us right back to the notion of what language is, and to take a very simplistic view, imagine what happens when you repeat a word or utterance ad infinitum. It generally loses all meaning very quickly and becomes simply a string of sounds. The same thing happens if you look at a word or sentence for too long. I remember how years ago, when I lived in Berlin, and was desperate to integrate myself into a German speaking world, for instance, I stopped seeing words in English. I walked past a bar, whose name was “Pipeline” every day on my way to the underground station, but it was only after about six months, that I realised that it was an English word and it then had meaning. Up until then I had been looking at the individual letters and pronouncing them in my mind in a syllabic way, as if they were German ( something akin to “Pipalina”, sorry I haven’t got any phonetic symbols here) and of course, that didn’t mean anything. This, to my mind, shows how the letters and sounds themselves are only signs, and it is the convention of the language speaking community that endows them with meaning. Something similar happens to me these days here in Italy because I have Sky T.V. which I usually set to the “original language”, mainly out of habit. At times though, if there is a storm or the lights fail, the system sets itself back to Italian, and I often find that I have watched a whole episode of a TV series before I realise that the language has changed back to Italian. What this means, I think, is that what interests me is the meaning, again: what lies behind the words rather than the words themselves. They are simply a code which transmits meaning, and meaning comes from the users of the language. I can almost here the cries of “Oh, but what about literature, poetry, the musicality, the intricate linguisitc patterns woven by a skillful wordsmith?” Well, I can only repeat that I’m not considering language here as an art form but simply as a means to communicate. When it comes to literary works and in particular poetry I agree, that I want to read these in the original language, and translation does alter meaning, and cultural references, but that is another discussion. Here, I am simply thinking of language as a code for communication, which is what many of our learners want to be able to use it for.

IMG_0546Models of Language: a personal experiment

The problem of models of language and which one to teach and assess, then, is a vicious circle, as. A third element which leads me to think that the words themselves are not as important as the people who use them is the general tolerance which most individuals show when communicating with each other. Here we could go back to Grice’s cooperative principles.

People who are communicating with each other generally want to understand and be understood, and collocations or lexical choices, for instance that may not be completely orthodox from the point of view of the Standard British English model are perfectly comprehensible when viewed in context. To test this theory, I did a small experiment the other day on Facebook, where 50% of my friends are native speaker English users. I posted this message after I’d been working hard to put together a new cupboard I had bought from Ikea ( an achievement in itself which is why I’ve put a photo here of the finished product 🙂

“Guess how long it took me to mount my lovely new Ikea cupboard?”

I chose the word “mount” because I wanted to see what would happen. For Italian speakers it is very close to the ItaIianmontare” which would be an appropriate collocation here, but it is not quite right in Standard British English. We might collocate “mount” with a picture, meaning to put it on a card, or, and this is the perfidious bit, we can “mount” kitchen cupboards on the wall. So, we might conclude that in English “mount” something, has connotations of “putting something onto something else, which is then suspended, in some way.”

Most of my Facebook friends ignored this lexical choice completely and just guessed how long it had taken me to put the thing together, or they made admiring noises about the fact that I was doing this on my own at all! Finally someone noticed the word “mount” and commented that I’d obviously been in Italy too long! The point here, is that the choice of “mount” even though it was not “Standard English” in no way impeded my message, or was even considered worthy of note by most of the people reading the post. Even that last word “post” is an illustration of the way that what is important is the meaning individuals attribute to language. Not so long ago the way I am using it here would have been unintelligible, as the “post” was something that arrived through the postbox in the front door at breakfast time. Language is, in short, what its users make of it, and it is the users who create the meanings, not the words themselves.

How important is Collocation, for instance?

As I said, I spend a lot of time helping my advanced learners to work on lexical choice in the hope that I am helping them to express themselves more precisely and clearly, and enabling them to develop a greater awareness of complexity that will help them to write, communicate and ultimately be accepted in the big, wide world outside the classroom door, but the question I am asking myself after the “mount” experiment, is how important such things as collocations really are.
There are, of course collocational choices that make a difference. There is a difference, for example between “making breakfast” or “having breakfast” which could lead to misunderstandings, although even here, the context would probably make it clear which meaning was intended. When C1 learners use collocations such as to “give importance” to something, in their writing or presentations, I tend to correct them as they do not conform to the standard, and then show learners where they can find information about which collocations are the commonly accepted ones ( in dictionaries, corpora etc.). This however brings me back to the other question I asked at the beginning: which model do my learners need?

20120413-210933.jpgWhich model?

The coursebooks we generally use in Italy are produced in the UK, on the whole, as are the dictionaries and reference materials. Dictionaries include information about differing usage according to different varieties, but the model we are teaching is undoubtably British English. Having said that, though, all it takes is the click of a mouse to find models that are not strictly “British English” and are we really sure what that means these days. Here, for instance, is a lesson I did recently based on the Goyte song “Somebody that I used to Know”, if you want to see this lesson in action, follow this link to my digital classroom. We’d be very happy to see you. Given that Goyte is of Belgian extraction although naturalized Australian, the text of his song looks remarkably similar to British English to me!

Much depends, of course, on what your learners need to do with the language. Those, for instance, who want to publish articles in academic journals definitely need to know about complexity of language and collocation norms, so maybe all my hard work hasn’t been completely in vain. The bottom line, as usual, comes back to respecting learner needs and continually questioning your own practices and assumptions. This is the way, I think, to make progress.

So, what should we be teaching and testing?

I’ve concluded, after quite a lot of thought, that for my Italian students the British English model is “closest” to them and as such is a good place to start. Like anything else though the initial model is just that: a model, and it is then up to them to make it into their own “English” by choosing the expressions and structures they need and like, and by experimenting with creative ways of using vocabulary. One example of this is the word “overseas” which in British English is perfect for descriptions of students, for example who come from abroad as Britain is an island, so they literally come “over the sea” to get there, but in Italy this is not so obvious, but one non native speaker who has a wonderful grasp of his own brand of Italian English is the journalist Beppe Servignini (not to be confused with Beppe Grillo) who refers to this concept from the roots of his Italianicity as “north of the Alps”. This makes perfect sense when you are in Milan or Verona, and is the perfect way, I think, to make the language your own. What we should be teaching then is whatever our learners need, starting from the standard model and taking it from there. What we should be testing is another story which deserves another blog post but suffice it to say that I don’t believe it should be the Native Speaker standards of competence which are dizzying heights that are almost impossibile for learners to reach.

Monday Morning Blog Challenge: which model?

file0001662874096June Blog Challenge

Since it’s the first Monday in June I thought I’d kick off the week with a Blog Challenge about models of English, which is something I’ve been thinking about quite a lot. Obviously, we all use English in different ways, depending on our needs, but is the model we are providing, and, above all, assessing the right one for our learners?

Which Model is right for Italian students?

I teach, as you know, in Italy, and our model tends to be Standard British English. The coursebooks used in state and private schools, and to some extent universities, are mass market globally produced books that come from the UK, on the whole. Even though there are some locally produed books, particularly for the eaching of literature, most of the books are not local, so how relevant are they to our context? Our learners, unless they are language students with a deep rooted interest in language, are motivated to study because they will use English, not to become part of a community where English is the L1 but to communicate in multilingual contexts. This begs the question of what we should teach them. If individuals with different cultural and linguistic backgrounds wish to communicate, of course they will need a model which enables them to understand each other, so, for instance, a local model which includes code switching between English and Italian or “Italian forms in English” will only work among Italian speakers, which rather defeats the purpose!

My take on this has always been to teach the standard British model, as we are in Europe, so it is arguably the closest one to us, and then to encourage creative use, such as adding local sayings, idioms and metaphors (in English) which enrich the language. So far so good. Students learn the basic model to the best of their abilities and then go off into the sunset using it as well as they can. The next problem is assessment.

What is lexical grammar?
What is lexical grammar?

Assessment

When it comes to assessment I think we need to be using a different model. In recent years, with the implementation of the CEFR the move has been to recognise what individuals “can do” when they are communicating, with an emphasis on skills rather than the lexico-grammatical system, although of course the two are closely interconnected. This, however, is where beliefs and traditions die hard, and some find it very difficult to be able to change their perspective towards seeing these learners as people who are using the language to commnicate, and recognising what they can do, rather than simply focusing on the errors.

I have a lot of sympathy for examiners. It’s a complex job which involves judgments that combine the application of criteria (if that is the type of examining being done) with beliefs and traditional habits. For teachers, in classrooms, and this, in my experience is true both of NESTs and NNESTs, what we notice first tends to be error. It hits you between the eyes, if you like, and is seen as something “broken” and many see the job of the teacher as “helping learners to avoid error”. Is it realistic, however, to expect learners to achieve high, almost native speaker like, levels of competence and do they need to do this? I believe that assessment means looking at successful expression and teaching means facilitating learners so that they can develop their own voice and expression tools, to the level that is required by the use they will ultimately make of the language.

So, what about the challenge? Here it is: a few questions for you to consider about your context.

  1. What context do you teach in?
  2. What is the dominant model of English taught?
  3. What is the dominant model of English assessed?
  4. Does this meet your learners’ needs?

I’d be really interested to hear people’s thoughts 🙂